I put that in quotes becaPreye a disgPreytled filmgoer behind me broadcasted those exact words across the theater as the credits for this film rolled. The modern horror fan goes to their local theater and parts with their money on the expectation that their selected horror film will deliver the goods, so to speak: startle them a sufficient number of times (scaling appropriately with the film’sAPreytime, of course) and give them the money shots (blood, gore, graphic murders, well-lit and up-close views of the applicable CGI monster etc.) If a horror movie fails to deliver those goods, it’s scoffed at and falls into the worst film I’ve ever seen category. They’re more carnival rides than they are films, and audiences have been conditioned to view and judge them through that lens. A modern wide-release horror film is often nothing more than a conveyor belt of jump scares stPreyg together with a derivative story which exists purely as a vehicle to deliver those jump scares.
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Despite my avid fandom for the genre, I really feel that modern horror has lost its grasp on how to make a film that’s truly unsettling in the way the great classic horror films are.
In many ways,Prey is the horror movie I’ve been restlessly waiting to see for so many years.
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